Bidding Adieu to a Musical Icon

There was a time when Johnny Mathis was the toast of the town, enchanting teenagers with his melodious voice.

For more than sixty years, Johnny Mathis, the legendary singer known for timeless classics like “Misty” and “Chances Are,” has delighted fans. Now, at the age of 89, he is preparing to retire, attributing this decision to advancing age and memory decline.

Mathis plans to continue with his Voice of Romance tour until the spring, culminating with a final performance on May 18 at the Bergen Performing Arts Center in Englewood, New Jersey.

However, for those hoping to see his performances after June 2025, there is disappointing news. All concerts scheduled post-June 2025 have been officially called off by Mathis’ team.

The announcement was accompanied by a touching note:

“As many of you may already know, Johnny Mathis is nearing his 90th birthday this year. Thus, we regret to inform you that due to Mr. Mathis’ age and the acceleration of his memory issues, he will be retiring from tours and live concerts.”

It is a heartfelt goodbye to a man who has captured hearts across generations with his enchanting ballads and velvet-like voice.

The Romance in His Voice

Born on September 30, 1935, in Gilmer, Texas, and raised in San Francisco, California, Johnny Mathis became widely recognized for his smooth and romantic ballads, an enduring figure in America’s rich musical tapestry.

Embarking on his musical journey at a young age, Mathis trained in classical music as a child and began professional singing at 13, inspired by his father, a vaudeville singer and pianist. Spotting Mathis’ talent, his father invested in a second-hand upright piano for a mere $25 (which would be approximately $447 today), supporting his explorations in music.

Growing up in San Francisco, Mathis found inspiration in the city’s jazz scene, and he was particularly moved by the legendary Duke Ellington.

“Ellington was one of my heroes because of his intellect. He was a stylish man, sophisticated without being pompous or arrogant, and his music absolutely sounded like he looked,” Mathis remarked in 1990.

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